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Author Topic: Recent Professional Works  (Read 1061372 times)
HarperPhotos
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« Reply #3780 on: September 19, 2012, 08:01:38 PM »
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Hi Jim,

Good guess car shot static on location with strobes then car jacked and wheels spun with 10X neutral density filter on camera by assistant then car removed and background shot again. The blur was done using Virtual Rig soft wear.

http://www.virtualrig-studio.com/

Cheers

Simon
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Simon Harper
Harper Photographics Ltd
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Auckland, New Zealand
Scott Hargis
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« Reply #3781 on: September 20, 2012, 12:30:31 AM »
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Larger.
« Last Edit: September 20, 2012, 12:51:26 AM by Scott Hargis » Logged

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Graham Mitchell
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« Reply #3782 on: September 20, 2012, 02:02:47 AM »
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Hi Jim,

Good guess car shot static on location with strobes then car jacked and wheels spun with 10X neutral density filter on camera by assistant then car removed and background shot again. The blur was done using Virtual Rig soft wear.

http://www.virtualrig-studio.com/

Cheers

Simon

Nicely done. The only real giveaway that I noticed is that the foreground leaves are far too sharp, i.e. not blurred enough. In fact to get that kind of background blur, the foreground wouldn't even show up on the image. I doubt most people notice these things though Smiley
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Graham Mitchell - www.graham-mitchell.com
HarperPhotos
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« Reply #3783 on: September 20, 2012, 02:32:44 AM »
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Hi Graham,

Interesting you mention the leaves. I shot 10 leaves plucked from a bush in my studio car park as the retoucher Dan felt that the shot needed some foreground to break the road. We tried more blur but it just didn’t look right so we both agreed with this version. The leaves in the top right of the frame where actually a bush which was just coming into frame.

Cheers

Simon
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Simon Harper
Harper Photographics Ltd
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Auckland, New Zealand
ACH DIGITAL
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« Reply #3784 on: September 20, 2012, 07:04:24 PM »
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Hello,

Latest shot.

Cheers

Simon

Excellent Simon it looks so sharp! what rig did you use?
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Antonio Chagin
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« Reply #3785 on: September 20, 2012, 07:05:33 PM »
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 This one came out while taken some interiors yesterday. D800 18mm f/11.

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Antonio Chagin
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haefnerphoto
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« Reply #3786 on: September 20, 2012, 08:47:35 PM »
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Scott, I like the view and the light alot .  I'm distracted by the propping, it doesn't look finished enough.  My impression is that there wasn't a stylist involved, perhaps I'm wrong but if a stylist had been involved the result would have been well worth the cost.  Jim
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Scott Hargis
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« Reply #3787 on: September 21, 2012, 08:37:12 AM »
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Heh...the stylists' name was Scott Hargis...

Well, actually, my client did his own styling, and after he left I moved a few things around (like the watermelon, which started out on the bar directly in front of the camera.)

Obviously a lot of ambient light here. We scrimmed the windows 2 stops, and there's some continuous lighting in the kitchen, and strobes lighting the 3 distant spaces along the background.
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ChristopherBarrett
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« Reply #3788 on: September 21, 2012, 08:07:14 PM »
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Two from last week...

Ashley, the lighting on those is fucking scintillating.
CB
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TMARK
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« Reply #3789 on: September 21, 2012, 11:00:37 PM »
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This one came out while taken some interiors yesterday. D800 18mm f/11.



I dig this.
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TMARK
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« Reply #3790 on: September 21, 2012, 11:02:28 PM »
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Something from today. 110mm f2 lens at about f4.



Nice.  I've liked your stuff over the last year or so.  Really solid.
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TMARK
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« Reply #3791 on: September 21, 2012, 11:03:26 PM »
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H4D-40, 210mm, 2 sec or so, f25
Smiley

YES.  Fantastic.
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TMARK
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« Reply #3792 on: September 21, 2012, 11:07:48 PM »
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I've just done this for a french designer, this was in switzerland :









I like these.  The color grading/post is really well done, something not seen that often. 
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Yelhsa
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« Reply #3793 on: September 22, 2012, 04:14:09 AM »
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Ashley, Those are perfect.  The light is absolutely beautiful.  But there must have been a disturbance in the force, the lights are on!!  Jim
Thanks Jim.
This client likes to see a few room lights on - but also likes the natural daylight look too.
So as the saying goes: The client is always right !

 
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gotspeed
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« Reply #3794 on: September 22, 2012, 06:32:56 PM »
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Mamiya DM28/AptusII-6 105-210.
PP only in Capture One
PS. My 1st images here on LL.
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HarperPhotos
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« Reply #3795 on: September 22, 2012, 06:47:17 PM »
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Hello,

Nice shots love the second one. I was always a big fan of the Mamiya AF 105-210mm lens.

Cheers

Simon
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Simon Harper
Harper Photographics Ltd
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Auckland, New Zealand
Mr. Rib
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« Reply #3796 on: September 22, 2012, 07:07:03 PM »
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I like these.  The color grading/post is really well done, something not seen that often. 

+1
Very nice, film-like color grading. I think it's an indication that all of us miss the film / film esthetics huh Smiley

Oor maybe.. Vduault, was that LF film capture?
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Graham Mitchell
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« Reply #3797 on: September 22, 2012, 08:02:27 PM »
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From today:



« Last Edit: September 27, 2012, 11:19:20 AM by Graham Mitchell » Logged

Graham Mitchell - www.graham-mitchell.com
TMARK
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« Reply #3798 on: September 22, 2012, 08:37:38 PM »
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+1
Very nice, film-like color grading. I think it's an indication that all of us miss the film / film esthetics huh Smiley

Oor maybe.. Vduault, was that LF film capture?

It does look like film.  Reminds me of Mamiya 7, 65mm and Portra, scanned and with some post work.  Love it.
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haefnerphoto
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« Reply #3799 on: September 22, 2012, 09:06:59 PM »
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From today:





Graham, These look really good, it does bother me a bit that it looks as though somethings attached to her nose in the second shot (which I like the best).  Jim
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