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Author Topic: Recent Professional Works  (Read 1134140 times)
MichaelEzra
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« Reply #4120 on: January 03, 2013, 10:13:45 AM »
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James, beautiful work with these cars!

Happy new year to all!
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Craig Lamson
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« Reply #4121 on: January 03, 2013, 10:14:25 AM »
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I love single point perspective.  Nice use of it.
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Craig Lamson Photo
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Rob C
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« Reply #4122 on: January 03, 2013, 10:25:17 AM »
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Beautiful cars; any chance of details re. model year etc?

Makes it more informative for us non-USA resident car-nutters. ;-)

Rob C
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Gel
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Excuse me while I bust a cap


« Reply #4123 on: January 03, 2013, 10:48:01 AM »
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I see that my last post with images was quite some time ago, here's a few things from last year.  I'll put up some architecture a little later.  By the way, the vehicles were all shot with my P45, the architecture will be mixed.  Jim

Lovely stuff. With the blue one, how do you light cars like that?

I have a mental block getting over the gap between what looks believable and real, to the hyper reality that seems to be in most car shots these days.
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Chris Giles Photography
HarperPhotos
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« Reply #4124 on: January 03, 2013, 12:54:35 PM »
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Hello Jim,

As always Jim your work is awesome and inspiring.

All the best

Simon
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Simon Harper
Harper Photographics Ltd
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Auckland, New Zealand
jsch
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« Reply #4125 on: January 03, 2013, 04:23:33 PM »
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Here's some architecture shot in the last year or so.  Both medium format and Canon.  Jim

Hi Jim,

I love the girl with the yellow dress who is sitting in the white "salad bowl" and her attitude. It was love on first sight. The way she is sitting there is the complete contradiction to the architecture. Wonderful, absolutely wonderful!

Best,
Johannes
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Rob C
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« Reply #4126 on: January 03, 2013, 05:01:07 PM »
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Hi Jim,

I love the girl with the yellow dress who is sitting in the white "salad bowl" and her attitude. It was love on first sight. The way she is sitting there is the complete contradiction to the architecture. Wonderful, absolutely wonderful!

Best,
Johannes


Too late, too late! She's in my soup!

Rob C
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haefnerphoto
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« Reply #4127 on: January 03, 2013, 08:13:09 PM »
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Careful guys, that's my daughter, Jessica.
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HarperPhotos
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« Reply #4128 on: January 03, 2013, 08:18:21 PM »
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Hi Jim,

Ah the classic look only a Daughter can give her Father to say is this going to take very long dad.

Cheers

Simon
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Simon Harper
Harper Photographics Ltd
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dougster_ling
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« Reply #4129 on: January 03, 2013, 10:00:59 PM »
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Lake Tahoe area. I am shooting panoramic images of the Sierras for a future project...


5d mark 11 stitched zeiss prime lens.

ds

www.douglassterling.com
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LKaven
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« Reply #4130 on: January 03, 2013, 11:19:43 PM »
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Lake Tahoe area. I am shooting panoramic images of the Sierras for a future project...

Very nice panorama!  [I only wish I could view it larger.]  VERY nice work all around on your site.

5d mark 11 stitched....

I think this qualifies as "very large sensor" photography.
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K.C.
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« Reply #4131 on: January 04, 2013, 12:19:52 AM »
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What I'd like to see is more professional works. Currently we see precious few images posted here and usually by the same photographers. Why is this so when LL is littered with professional photographers?

They're tired of the pointless debate over format ?

In regards to recent, I think anything beautiful should be allowed, film or digital, small or large format.  

Now there's a hell of an idea.

It's a public forum. Threads evolve, digress and progress. You can't stop it. You can accept it and appreciate the work.
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kikashi
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« Reply #4132 on: January 04, 2013, 02:45:10 AM »
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Here's some architecture shot in the last year or so.  Both medium format and Canon.  Jim

The ceiling in what I assume is a library is truly magnificent! Where is it?

Jeremy
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Chris Livsey
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« Reply #4133 on: January 04, 2013, 03:15:23 AM »
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The ceiling in what I assume is a library is truly magnificent! Where is it?
Jeremy

Hogwarts ?   Grin Grin
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Chris Livsey

http://www.flickr.com/photos/red_eyes_man/

It's not what you look at that matters, it's what you see.
KLaban
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« Reply #4134 on: January 04, 2013, 03:16:50 AM »
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Despite being a composite it's refreshing to see an image that looks as though it was created by someone with a pulse rather than a droid.  
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Rob C
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« Reply #4135 on: January 04, 2013, 04:02:31 AM »
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Okay, speaking of cats and pigeons: painted, mixed types; shot digital. Seriously for sale, as they say about yachts.

;-)

Rob C

« Last Edit: January 23, 2013, 01:41:10 PM by Rob C » Logged

MarkoRepse
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« Reply #4136 on: January 04, 2013, 05:11:41 AM »
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Thank you all for the kind words!

Despite being a composite it's refreshing to see an image that looks as though it was created by someone with a pulse rather than a droid.  

Keith, this was shot exactly as you see it (all of my work in fact), no compositing!

Anyway about the image thread "issues", I vote for a "post anything" thread. At the end of the day it really doesn't matter what format something was shot in, as long as its pretty, as its really (or should be) just an artistic/personal/technical choice. The problem which distorts this perspective is that MF digital is expensive causing other emotions to step in.
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haefnerphoto
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« Reply #4137 on: January 04, 2013, 05:31:35 AM »
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The ceiling in what I assume is a library is truly magnificent! Where is it?

Jeremy

This room is the University of Michigan's Law School Reading Room.  I happened to find it while photographing a project in an adjacent building, it's recently renovated (last couple of years).  I appreciate the compliments on the other images!  Jim
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haefnerphoto
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« Reply #4138 on: January 04, 2013, 05:36:55 AM »
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Beautiful cars; any chance of details re. model year etc?

Makes it more informative for us non-USA resident car-nutters. ;-)

Rob C

The red car is the latest SRT8 Viper, recently brought back by Chrysler.  The vintage vehicle is a concept from Harley Earl (GM), the 1951 LeSabre.  When I shot the GM Design Staff building they were kind enough to bring it in for the project, I thought it was pretty spectacular and asked to have it shipped to my studio for a couple of days.  The lighting of it was accomplished with tungsten lights bounced off large muslin flats with a little direct light added.  Jim
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KLaban
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« Reply #4139 on: January 04, 2013, 05:40:08 AM »
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Keith, this was shot exactly as you see it (all of my work in fact), no compositing!

Marko, apologies and even more respect!
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