Ad
Ad
Ad
Pages: [1]   Bottom of Page
Print
Author Topic: Msyterium X shots in difficult light  (Read 2928 times)
bill t.
Sr. Member
****
Offline Offline

Posts: 2693


WWW
« on: January 29, 2010, 11:32:41 PM »
ReplyReply

FWIW, some Mysterium X shots in zilch light levels, and other difficult lighting situations.  Not bad at all.

90 megabyte download.

http://red.cachefly.net/M-X-REEL.mov
Logged
Daniel Browning
Full Member
***
Offline Offline

Posts: 142


« Reply #1 on: January 29, 2010, 11:46:53 PM »
ReplyReply

Quote from: bill t.
FWIW, some Mysterium X shots in zilch light levels, and other difficult lighting situations.  Not bad at all.

Looks great! The aliasing artifacts are terrible, though. Someone must have botched the downconversion.
Logged

--Daniel
JuhaniVaihkonen
Newbie
*
Offline Offline

Posts: 2



WWW
« Reply #2 on: January 30, 2010, 03:39:13 PM »
ReplyReply

Very nice indeed.
Logged
Hywel
Full Member
***
Offline Offline

Posts: 159


WWW
« Reply #3 on: February 06, 2010, 04:50:11 AM »
ReplyReply

Quote from: Daniel Browning
Looks great! The aliasing artifacts are terrible, though. Someone must have botched the downconversion.

Yeh indeed the welder's shirt is a real mess of strobing colour artefacts and moire. Does Mysterium X have an anti-aliasing filter?

If Jim Jannard is using that as a Mysterium X showreel they really ought to look at some sort of anti-moire filter in the down conversion.
... on the other  hand, hooray for it looking at least as awesome as 5D Mk2 footage. Had to feel bad for Red One getting trumped rather by the arrival of full frame 35mm full 1080p in a camera costing so little (even with the horrendous artefacts you get from the 5D Mk2's aliasing, it still produces damn sexy footage).

  Hywel.
Logged
Graeme Nattress
Sr. Member
****
Offline Offline

Posts: 582



WWW
« Reply #4 on: February 06, 2010, 08:07:13 AM »
ReplyReply

Quote from: Hywel
Yeh indeed the welder's shirt is a real mess of strobing colour artefacts and moire. Does Mysterium X have an anti-aliasing filter?

If Jim Jannard is using that as a Mysterium X showreel they really ought to look at some sort of anti-moire filter in the down conversion.
... on the other  hand, hooray for it looking at least as awesome as 5D Mk2 footage. Had to feel bad for Red One getting trumped rather by the arrival of full frame 35mm full 1080p in a camera costing so little (even with the horrendous artefacts you get from the 5D Mk2's aliasing, it still produces damn sexy footage).

  Hywel.

Yes, we have decent optical filtering on the M-X, the moire in the movie comes from downsampling to the h264 for distribution.

Of course, the "full frame 35mm full 1080p" don't measure any-where-near 1080p, and the codec used is pretty ugly.

Graeme
Logged

www.nattress.com - Plugins for Final Cut Pro and Color
www.red.com - Digital Cinema Cameras
Pages: [1]   Top of Page
Print
Jump to:  

Ad
Ad
Ad