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Author Topic: ITT: wow me with some of your non-professional work  (Read 121490 times)
eronald
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« Reply #560 on: August 23, 2014, 08:02:58 PM »
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Continuing my experiments with Sigma DP3. Very filmlike in the way it scales up, but I will have to redo this image with banding reduction.

Edmund
« Last Edit: August 23, 2014, 10:07:04 PM by eronald » Logged
Royce Howland
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« Reply #561 on: August 24, 2014, 07:38:05 PM »
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I very rarely photograph people as the main subject, so this is something different for me. Shot with the Pentax 645Z and 67 105mm f/2.4, available light -- 1/80s @ f/8, ISO 400, hand-held, manual everything. Despite my lack of depth in portraiture, I'd say the 645Z combined with the old 67 105mm lens is quite effective. I like the rendering this lens gives; if I'm not mistaken it's the fastest lens Pentax produced for 645 or 67.

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Royce Howland
dag.bb
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« Reply #562 on: August 25, 2014, 05:29:14 PM »
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Oslo harbor by dagr, on Flickr

Still testing the Mamiya Universal 6x9. I really enjoy this camera, however due to its size it is mostly limited to planned outdoor shots or indoor studio type shots. The 150mm helicoid is standard Copal 0 size, so I managed to mount a Schneider Xenar instead of the Mamiya, and will test out a multicoated Symmar later this week... Will be interesting to see if there is much difference. Using a Polaroid back, one could even use 4x5 film, I think.
« Last Edit: August 26, 2014, 08:51:07 AM by dag.bb » Logged
Bruno Gil
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« Reply #563 on: August 26, 2014, 04:53:35 PM »
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Credo 40 + 80mm

1.
Raquel Pereira by Bruno Gil - Ground Glass, on Flickr
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Bruno Gil
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« Reply #564 on: August 26, 2014, 04:54:39 PM »
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Credo 40 + 80mm

1.
Gideon by Bruno Gil - Ground Glass, on Flickr
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JohnBrew
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« Reply #565 on: August 26, 2014, 05:13:11 PM »
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I very rarely photograph people as the main subject, so this is something different for me. Shot with the Pentax 645Z and 67 105mm f/2.4, available light -- 1/80s @ f/8, ISO 400, hand-held, manual everything. Despite my lack of depth in portraiture, I'd say the 645Z combined with the old 67 105mm lens is quite effective. I like the rendering this lens gives; if I'm not mistaken it's the fastest lens Pentax produced for 645 or 67.


Excellent!
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Alexey1
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« Reply #566 on: August 27, 2014, 08:26:40 PM »
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P20+ 55MM
original color
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Alexey1
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« Reply #567 on: August 28, 2014, 06:04:25 AM »
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55mm
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Alexey1
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« Reply #568 on: August 29, 2014, 11:46:09 AM »
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P20+ 55mm crop
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eronald
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« Reply #569 on: August 29, 2014, 04:08:36 PM »
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MOO!

another one of my Sigma experiments. 150% crop.

Edmund
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Alexey1
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« Reply #570 on: August 29, 2014, 04:23:42 PM »
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P20+ expanded 55mm
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Alexey1
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« Reply #571 on: August 29, 2014, 04:27:33 PM »
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eronald
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« Reply #572 on: August 29, 2014, 05:03:45 PM »
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I very rarely photograph people as the main subject, so this is something different for me. Shot with the Pentax 645Z and 67 105mm f/2.4, available light -- 1/80s @ f/8, ISO 400, hand-held, manual everything. Despite my lack of depth in portraiture, I'd say the 645Z combined with the old 67 105mm lens is quite effective. I like the rendering this lens gives; if I'm not mistaken it's the fastest lens Pentax produced for 645 or 67.



Nice geometry Smiley

Edmund
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Chris Livsey
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« Reply #573 on: August 30, 2014, 10:23:26 AM »
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When you are not a Pro climbing over the ropes to re-arrange the cushions is not an option  Angry

Fuji Pro400H @200iso H1 80mm f2.8 Hand Held

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Chris Livsey

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It's not what you look at that matters, it's what you see.
Alexey1
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« Reply #574 on: August 30, 2014, 04:50:11 PM »
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Alexey1
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« Reply #575 on: August 30, 2014, 08:12:01 PM »
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danlandoni
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« Reply #576 on: August 31, 2014, 09:58:23 PM »
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H2, P30+, 50-110...maybe a 80mm sprinkled in.



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danlandoni
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« Reply #577 on: August 31, 2014, 09:59:39 PM »
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Same setup as above.


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Chris Livsey
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« Reply #578 on: September 01, 2014, 01:57:26 AM »
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Fuji Pro400H @200iso H1 80mm f2.8 Hand Held

Allium

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Chris Livsey

http://www.flickr.com/photos/red_eyes_man/

It's not what you look at that matters, it's what you see.
Alexey1
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« Reply #579 on: September 01, 2014, 11:29:06 AM »
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p20+ no color corrections
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