snip.......I wanted to ask a few questions ..........snip
I don't know how this image was done, but if I was doing it with our RED's I'd just pan it across for motion, probably at 30 fps, 100/th of a sec. minimum as I don't see any strobbing on the RED at those settings.
Then for safety I'd do it again, holding position between pans for sharpness then stitch it together in photoshop (for the still).
To stitch the motion I'd probably go to our effects company.
As far as HDR and the look I don't really know why anyone needs it with the RED as it holds more highlight to shadow than any digital device I've used.
A week ago we were shooting lifestyle advertising on the beach and used about every still camera I own. As the sun was behind us none of the still cameras held as much as the RED. Not even close.
The stills required a lot more artificial fill.
In fact as we pre light a scene, it's easy to set up the RED and use it as a live-view polaroid, except you have to keep it in your head that what the RED sees the still cameras don't so you have to adjust.
Yair, since you represent high end cameras you should probably get your hands on a RED One or an Epic and see for yourself.