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Author Topic: Sebastião Salgado: The Colorado Plateau's National Parks in Photos  (Read 3371 times)
KLaban
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« Reply #20 on: March 22, 2012, 12:35:37 PM »
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Fred

Trying to understand, help and cajole.
« Last Edit: March 22, 2012, 01:08:43 PM by KLaban » Logged

Rob C
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« Reply #21 on: March 22, 2012, 12:41:11 PM »
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1   For many, it occurs when on the edge, just before touching the very bottom of the unbearable. The time a person has suffer enough and say, I'm done with that, then the solution and the light comes very fast. But for many, the suffering is actually not strong enough, and even give them an identity they don't want to leave. "I've lost my wife, I've lost my job, my country and my health or whatever; should I also lost "my" identity?" Precisely, that's the best to do.  

2   The solution... will NOT come from "outside". It will not come from a shooting with a great model. Because you'll be happy 4 hours, the moment of the shooting you'll feel alive, and then, when the light's off, you'll feel even more dead and depressed than before.

 


Fred, yet again I find myself wishing your birth language was English. Then, I’m glad it isn’t because then you would not have the mind that you have.

To address two of your points:

1. Identity. How true. Many years ago, my mother made her first attempt to come and live in Spain. She was fluent in the language because she was in school there as a youngster. Yet, one day some weeks after she had sold up and moved out here, I met her in tears. I asked her what on Earth was the matter, and she replied: I feel I have lost my identity. She went back, bought another house and returned to her old life. I can identify with that, no pun  intended.

2. Post-shoot blues. That used to happen to me even when I was busy and still running a studio; the lonely, white Colorama roll when the door closed behind the models was the saddest thing in my life at those times. Coming home from a shoot abroad was even worse: it felt like the end of the world. That tight little group was like a commando unit: we’d hit the beaches, do the shots and probably break all manner of local bye-laws in the process, live way beyond our natural economic means and then bang!, the mundane would open its arms again as we landed in Heathrow, Gatwick, Glasgow, Palma or wherever. You can’t lose the craving for the sense of excitement, the addiction, just because circumstances change.

Some say it’s better to have loved and lost than to have never loved at all; I wonder.

;-)

Rob C
 
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Slobodan Blagojevic
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« Reply #22 on: March 22, 2012, 08:07:00 PM »
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 My homage to Salgado's landscapes: Wink


Badlands B&W by Slobodan Blagojevic, on Flickr


Badlands III B&W by Slobodan Blagojevic, on Flickr


Badlands IV B&W by Slobodan Blagojevic, on Flickr


Yellowstone - Grand Prismatic Spring by Slobodan Blagojevic, on Flickr
« Last Edit: March 22, 2012, 08:12:54 PM by Slobodan Blagojevic » Logged

Slobodan

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tom b
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« Reply #23 on: March 22, 2012, 11:40:19 PM »
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I have only seen film prints fro SS. These images look over processed and I wondered if he had gone over to digital. A quick google search and I found this page which shows that he has gone from Leica film to Canon digital. Page 3 of the article has the technical details (camera, lenses, printing details etc).

Cheers,
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Rob C
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« Reply #24 on: March 23, 2012, 04:48:49 AM »
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Slobodan - Homage.

Reminds me of What's New, Pussycat, where psychiatrist Peter Sellers is in the Crazy Horse in Paris when Peter O'Toole, his patient, bumps into him and asks him what he's doing there. Sellers quickly says: I'm following you, to which O'Toole says: If you were following me, how come you were already here? Seller's answer: I was following you from the front.

Your copyright is '06... ;-)

Love that tonality: reminds me of ice cream.

Rob C 
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FranciscoDisilvestro
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« Reply #25 on: March 23, 2012, 07:37:14 AM »
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I have only seen film prints fro SS. These images look over processed and I wondered if he had gone over to digital. A quick google search and I found this page which shows that he has gone from Leica film to Canon digital. Page 3 of the article has the technical details (camera, lenses, printing details etc).

Cheers,

It seems he has gone further with DxO Film Pack http://www.dxo.com/intl/photo/filmpack/user_testimonial/sebastiao_salgado.
Maybe he went too far moving the sliders.
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Slobodan Blagojevic
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« Reply #26 on: March 23, 2012, 12:44:23 PM »
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... Your copyright is '06...

What can I say, I love paradoxical Wink

Or perhaps I was thinking during post-processing (subconsciously, of course): "this is how Salgado would shoot landscapes, should he, however unlikely, decide to shoot them one fine day". But then I probably said to myself (subconsciously, again): "Nah, he is a people photographer".

Come to think of it, however, it all makes perfect sense. After witnessing so much human misery, enough for several lifetimes, it is no wonder he got disgusted with human race and ran into wilderness to seek solace. The only question is: "what took him so long?" The rest of us (i.e., landscape photographers) figured that out long time ago. Wink
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Slobodan

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Rob C
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« Reply #27 on: March 23, 2012, 03:17:05 PM »
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What can I say, I love paradoxical Wink

Or perhaps I was thinking during post-processing (subconsciously, of course): "this is how Salgado would shoot landscapes, should he, however unlikely, decide to shoot them one fine day". But then I probably said to myself (subconsciously, again): "Nah, he is a people photographer".

Come to think of it, however, it all makes perfect sense. After witnessing so much human misery, enough for several lifetimes, it is no wonder he got disgusted with human race and ran into wilderness to seek solace. The only question is: "what took him so long?" The rest of us (i.e., landscape photographers) figured that out long time ago. Wink

I put an old video into the machine tonight. The first part was a portrait of Albert Watson doing stuff in New York and also in Scotland, where he wanders through Tantallon Castle, where I got my BB shots. The sound was way up to max. but hardly anything came through the speakers.

The next thing on it was the ’98 Sports Illustrated swimsuit shoots in Africa and the Maldives. Eva Herzigova, Laetitia Casta, and everything shot through terrible coloured filters… or that’s how old videotape goes. Funny, but fourteen years later, the girls still look phenomenal. I think one snapper was Walter Chin, the other called Russell, but didn’t wait for the credits – got bored and distracted with the colour. Plenty of bemused Masai; plenty of wilderness, but also proving my point of view about its associated needs...  ;-)

The other guy coming on and off the tape was the old Cosmopolitan hero: Francesco Scavullo shooting models/actresses with their spouses. Oh dear, why did I save it?

Rob C
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Kirk Gittings
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« Reply #28 on: March 23, 2012, 05:53:45 PM »
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It seems he has gone further with DxO Film Pack http://www.dxo.com/intl/photo/filmpack/user_testimonial/sebastiao_salgado.
Maybe he went too far moving the sliders.

No maybe about it.
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Thanks,
Kirk

Kirk Gittings
Architecture and Landscape Photography
WWW.GITTINGSPHOTO.COM

LIGHT+SPACE+STRUCTURE (blog)
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