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ndevlin
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« Reply #20 on: May 15, 2012, 09:09:45 PM » |
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I, too, found the 24-120 to be obviously weaker than just about all of the other Nikon lenses I have. That makes the 'sharpist' in me reject it. However, it is the perfect 'walk-around' lens. And it is no worse than the Canon 24-105. Will you miss that 20% of quality more than the missed picture? That's what we all struggle with.
Personally, I'd like a tack-sharp 35-105mm f3.5 VR. If they can make the 16-35 and 14-24 as good as they are, this has to be possible...
- N.
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Ellis Vener
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« Reply #21 on: May 15, 2012, 09:42:36 PM » |
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I've shot with both lenses but not simultaneously and i am leery of making comparisons of the type you ask of two lenses used in completely different circumstances including different bodies. I'm also not a bokeh fiend -for me what is in focus and crisply rendered is more important than what is out of focus unless the OOF areas distract you from where I want your attention to go. Without looking at the EXIF I am pretty sure that the portrait of the gentleman against a green metal door on the Via Dolorosa in Jerusalem in my portraits/people gallery of my website ( http://www.ellisvener.com) was shot with the 85mm f/1.4G on a D3s or D3X.
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Colorado David
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« Reply #22 on: May 15, 2012, 09:53:49 PM » |
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I really want to like the Nikon 24-120 lens. I keep hoping someone will review it favorably. It would be the perfect lens to stay on the camera for a lot of situations. If it weren't for this fear and trepidation. I have a copy of its less than stellar predecessor which mostly lives on the shelf.
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Ellis Vener
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« Reply #23 on: May 15, 2012, 10:04:11 PM » |
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The 24-120mm f/4G is far better than I expected it to be based on the earlier versions of this lens.
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Colorado David
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« Reply #24 on: May 15, 2012, 10:11:15 PM » |
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The 24-120mm f/4G is far better than I expected it to be based on the earlier versions of this lens.
Ellis, do you own one or have you just used one?
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Ellis Vener
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« Reply #25 on: May 15, 2012, 10:32:11 PM » |
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I've been using one on a D4, D800, and D800E since early April; "Otis" (I'm trying ro stop calling cameras and lenses by techno jargon nomenclature) is on loan for review from Nikon. Same with the 85 Nikkors.
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Colorado David
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« Reply #26 on: May 15, 2012, 10:37:23 PM » |
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So are you saying you've named this lens after the drunk on the Andy Griffith Show?
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marcmccalmont
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« Reply #27 on: May 15, 2012, 10:44:34 PM » |
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So are you saying you've named this lens after the drunk on the Andy Griffith Show?
I've already knicknamed my 800E "Niki" Marc
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Marc McCalmont
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Ellis Vener
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« Reply #28 on: May 15, 2012, 10:47:51 PM » |
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So are you saying you've named this lens after the drunk on the Andy Griffith Show?
Not that Otis, but after my neighbors 5 month old Chocolate Labrador Retriever.
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marcmccalmont
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« Reply #29 on: May 15, 2012, 10:48:49 PM » |
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I, too, found the 24-120 to be obviously weaker than just about all of the other Nikon lenses I have. That makes the 'sharpist' in me reject it. However, it is the perfect 'walk-around' lens. And it is no worse than the Canon 24-105. Will you miss that 20% of quality more than the missed picture? That's what we all struggle with.
Personally, I'd like a tack-sharp 35-105mm f3.5 VR. If they can make the 16-35 and 14-24 as good as they are, this has to be possible...
- N.
Nope if the 800E ends up a 18 mpx walk around camera in my hand and with my Leica R's on a tripod a 36 mpx mini MFDB I'll be happy! I think from reading reviews the 24-120 suffers from distortion and CA more than lack of resolution, I'm hoping DxO should correct most of that? Marc
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Marc McCalmont
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Ellis Vener
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« Reply #30 on: May 15, 2012, 10:54:12 PM » |
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I've already knicknamed my 800E "Niki" Marc
I'm thinking of naming the D800E "Sidd" short for "Siddhartha" for the clarity with which it sees the world.
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dturina
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« Reply #31 on: May 16, 2012, 01:09:25 AM » |
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Why even attempt to use D800 as a walkaround camera when it's not realistically going to show its maximum resolution? IMO it's better to get a lighter walkaround setup, m43 or NEX, and save yourself both money and trouble.
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Danijel
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ErikKaffehr
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« Reply #32 on: May 16, 2012, 01:28:53 AM » |
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Hi, I have seen some reports saying that the 24-120 is pretty good. Most lenses are decent at center but loose out at the corners. Lloyd Chambers ("Diglloyd") has tested a lot of lenses on his DAP page, may be worth a few dollars. I'd suggest that Lightroom makes decent work on vignetting and chromatic aberration, at least with lens profiles. I prefer LR to DxO, but that's just me. Personally, I use a 16-80/3.5-4.5 (Sony lens with a Zeiss label) on my Sony Alpha 77 (at 24 MP / APS-C) and it works decently. Best regards Erik Nope if the 800E ends up a 18 mpx walk around camera in my hand and with my Leica R's on a tripod a 36 mpx mini MFDB I'll be happy! I think from reading reviews the 24-120 suffers from distortion and CA more than lack of resolution, I'm hoping DxO should correct most of that? Marc
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marcmccalmont
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« Reply #34 on: May 16, 2012, 02:54:55 AM » |
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Why even attempt to use D800 as a walkaround camera when it's not realistically going to show its maximum resolution? IMO it's better to get a lighter walkaround setup, m43 or NEX, and save yourself both money and trouble.
Yes good idea but I have a K5 and a 17-70 f4, what I'm looking for is the equivalent to the 24-105 I had on my 5DII and used a lot. I guess that's the Nikkor 24-120 f4 for the D800 Marc
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Marc McCalmont
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marcmccalmont
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« Reply #35 on: May 16, 2012, 02:58:30 AM » |
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I love Tokina glass (Hoya) but I'm looking for a stabilized lens, I wish Tokina had gotten into IS/VR One of my best lenses is the Tokina 100 macro unbelievable bokeh and as you focus the image size stays constant so focus stacking is easier. Marc
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Marc McCalmont
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ihv
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« Reply #36 on: May 16, 2012, 03:32:25 AM » |
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For me the Canon 24-105 F4 was quite a popular lens for compact travelling. So I did not hesitate long to get the Nikon 24-120 F4. While it is not a very bright aperture lens the stabiliser is pretty good. At 24mm the distortion was even stronger compared to Canon 24-105 but as this is more of uniform type it can be easily fixed. I don't have yet much experience with the lens but initial tests seem to be satisfying for me. Not a striking subject but considering relatively slow shutter speed pretty decent. Handheld at 120mm f8 1/50 iso6400: modified: hum, doesn't seem to show the bigger image, it is not clickable? 
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« Last Edit: May 16, 2012, 03:34:28 AM by ihv »
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marcmccalmont
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« Reply #37 on: May 16, 2012, 05:56:35 AM » |
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For me the Canon 24-105 F4 was quite a popular lens for compact travelling. So I did not hesitate long to get the Nikon 24-120 F4. While it is not a very bright aperture lens the stabiliser is pretty good. At 24mm the distortion was even stronger compared to Canon 24-105 but as this is more of uniform type it can be easily fixed. I don't have yet much experience with the lens but initial tests seem to be satisfying for me.
Not a striking subject but considering relatively slow shutter speed pretty decent.
Handheld at 120mm f8 1/50 iso6400:
modified: hum, doesn't seem to show the bigger image, it is not clickable?
Nice B&W conversion the bird feeder reminds me of a bird house I made, carved the face of a cat on the front with the hole the cats mouth. Just ordered a 24-120 (newegg had them in stock) I'll give it a try my 24-105 was pretty darn good maybe I'll get lucky with a sharp copy of the 24-120. Marc
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Marc McCalmont
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marcmccalmont
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« Reply #38 on: May 16, 2012, 06:05:05 AM » |
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I'd suggest that Lightroom makes decent work on vignetting and chromatic aberration, at least with lens profiles. I prefer LR to DxO, but that's just me.
Maybe I should give lightroom a try? I've been using C1 for my phase one DB's and cameras w/o DxO lens modules and DxO for most of my DSLR stuff because of the lens modules but perhaps it's time to give LR a try Marc
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Marc McCalmont
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JohnBrew
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« Reply #39 on: May 16, 2012, 06:12:57 AM » |
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I really want to like the Nikon 24-120 lens. I keep hoping someone will review it favorably. It would be the perfect lens to stay on the camera for a lot of situations. If it weren't for this fear and trepidation. I have a copy of its less than stellar predecessor which mostly lives on the shelf.
Check out Moose Peterson, he seems to be in love with this lens.
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