Welcome,
Guest
. Please
login
or
register
.
Did you miss your
activation email?
May 18, 2013, 02:41:48 PM
Home
Help
Search
Register
Login
Luminous Landscape Home
Luminous Landscape Forum
>
Equipment & Techniques
>
Landscape & Nature Photography
>
Out of the Ashes
Pages: [
1
]
Bottom of Page
Print
Author
Topic: Out of the Ashes (Read 878 times)
PDobson
Jr. Member
Offline
Posts: 78
Out of the Ashes
«
on:
October 08, 2012, 10:44:52 AM »
Reply
I visited the aftermath of a recent forest fire yesterday evening. I'd never been to a burn so soon after the flames died (a couple of weeks). It's an eerie setting: everything is dead still and every footstep kicks up a little plume of ash.
Some things really caught my eye when first viewing the scene. Most of the trees were turned charcoal-black, but some where white with ash, a great contrast. The hill in the background had escaped the worst of the flames and the needles were still hanging on the branches, scorched to a bright orange that really picked up the evening light.
The strong vertical elements of the scene led me to try camera-blurring a few photos. I'm new to this technique, but I'm happy with how it worked out in this case.
Mile-19 Fire - Butte, Montana
Canon 20D with 70-200 F4L
Phillip
Logged
Walt Roycraft
Full Member
Offline
Posts: 173
Re: Out of the Ashes
«
Reply #1 on:
October 09, 2012, 04:03:55 PM »
Reply
I think the camera blur works well. I love it.
Logged
Walter Roycraft
http://www.roycraftart.com/
fike
Sr. Member
Online
Posts: 1079
Re: Out of the Ashes
«
Reply #2 on:
October 09, 2012, 04:07:58 PM »
Reply
Without camera blur...nice photo
With camera blur...fantastic interpretive photo
Logged
Fike, Trailpixie, or Marc Shaffer
Hiker Photographer
marcshaffer.net
TrailPixie.net
I carry a DSLR, a couple of good lenses, and a tripod.
PDobson
Jr. Member
Offline
Posts: 78
Re: Out of the Ashes
«
Reply #3 on:
October 09, 2012, 04:54:22 PM »
Reply
Those were my thoughts as well. The vertical blur emphasizes the shape of the trunks while downplaying distracting horizontal elements. The end result is a scene distilled down to its essence.
On a technical note, this is a great technique to keep in mind when the light starts to fade and you have no way of stabilizing the camera. I found that the best results came from panning quickly over a relatively long arc and timing the shutter when the scene gets in frame. This resulted in a smoother, more controlled blur.
Phillip
Logged
Pages: [
1
]
Top of Page
Print
Jump to:
Please select a destination:
-----------------------------
Site & Board Matters
-----------------------------
=> About This Site
=> LL Video Journal & Download Video
-----------------------------
Raw & Post Processing, Printing
-----------------------------
=> Adobe Camera Raw Q&A
=> Adobe Lightroom Q&A
=> Apple Aperture Q&A
=> Capture One Q&A
=> Other Raw Converters
=> Colour Management
=> Digital Image Processing
=> Printers, Papers and Inks
-----------------------------
Equipment & Techniques
-----------------------------
=> Landscape & Nature Photography
=> Landscape Photography Locations
=> Compact System Cameras
=> Cameras, Lenses and Shooting gear
=> Medium Format / Film / Digital Backs – and Large Sensor Photography
=> Pro Business Discussion
=> Digital Cameras & Shooting Techniques
=> Digital Asset Management
=> Motion & Video
=> Combocams
=> Computers & Peripherals
=> The Wet Darkroom
=> Digital Projection Tools and Techniques
=> For Sale
=> Beginner's Questions
-----------------------------
The Art of Photography
-----------------------------
=> Discussing Photographic Styles
=> But is it Art?
=> User Critiques
=> The Coffee Corner
Loading...