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Author Topic: Re: Recent Professional Works 2  (Read 217966 times)
Aphoto
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« Reply #1040 on: December 18, 2013, 09:20:19 AM »
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Today's cover on the Wallpaper website.

Happy holidays!


Very nice picture!
 Smiley

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Best, Adrian // www.adrianschulz.com
Chokourov
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« Reply #1041 on: December 19, 2013, 10:28:41 AM »
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Job for Light box (transparency)  Fuji680 180mm Sinar54H Simple one light.
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Mitchell Baum
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« Reply #1042 on: December 19, 2013, 01:30:53 PM »
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Andy,

Love the leopard shot. I can't understand anyone not thinking the world will be a much poorer place without animals in the wild.

Happy Hols,

Mitchell
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abiggs
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« Reply #1043 on: December 19, 2013, 05:45:33 PM »
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Nice shot; not sure why you went for MF unless for huge blow-ups, but impressive nonetheless.

Looking at your site, I am absolutely knocked out by the Skeleton Coast, Namibia image you have, the flying one of the dunes and the sea. It's beyond pretty and touches something primaeval - the same kind of emotion that volcanoes induce if you find yourself near them. The sense of unstoppability, of the relative insignificance of man in the general scheme of things, even if we are quite capable of destroying the entire show. It also touches a sense of the romantic - of places we shall probably never see. I felt a similar sense as a child, sailing up the Red Sea, with Arabia on the starboard bow, that distant line of jagged mountains looking so Arabian Nights it wasn't true. The world is indeed an amazing place.

Of Africa and safari the most lasting impression that I have, which struck me immediately, was the cruelty of zoos: when you realise the vast spaces that animals require, that they use in their hunt for food and survival, the idea of caging something with all that background of latent experience, throwing it some dead meat like a tip, seems unbelievable.

I think that the preservation of species case is bunk. Why do we think of doing it? For the sake of the animals? No, for the gratification of ourselves, the curio value. We cage humans for punishment; how do we miss the point when we do it to an animal? Better to go extinct on your own terms than live in a prison.

Rob C

Thanks for the kind and well-thought-out comments, Rob. Much appreciated.
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Andy Biggs
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Africa Photo Safaris | Workshops | Fine Art Prints
Chokourov
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« Reply #1044 on: December 20, 2013, 04:07:53 AM »
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One more, if I may, from same shop outfit.
One shot. There No Photoshop used in this image, just Lightroom for exposure twick and crop. Rings in the scine sequred on surf-wax and carefull placement of reflectors on the same sticky stuff :-). Single light source.
Ilia
« Last Edit: December 20, 2013, 10:07:49 AM by Chokourov » Logged
Phil Indeblanc
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« Reply #1045 on: December 20, 2013, 12:16:06 PM »
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One more, if I may, from same shop outfit.

Ilia

These look clean for SOOC.

What reflectors are you trying on the surface?
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MrSmith
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« Reply #1046 on: December 20, 2013, 12:18:55 PM »
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Looks like black Perspex to me.
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Phil Indeblanc
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« Reply #1047 on: December 20, 2013, 02:31:42 PM »
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From what he says, it sounds like he "filled/reflected" with other material into the rings.
So you brighten the piece itself to take out the darks....
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Chokourov
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« Reply #1048 on: December 21, 2013, 03:20:39 AM »
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Hi Guys thanks for interest! I would love to have some critical response (the type can learn from ;-) this shot is on black glass .

Mr.Smith, I tried black perspex too unfortunately not good for this closup perspex got light burgundy tint ( when 2000W/s light hit them).

Phil, yes reflectors (and black flags) placed in key areas to lighten the item and Diamonds without spill of light on background. 
I often see shots of diamond set jewelery were large parts of diamonds look totally black - my customers (not an easy going type) wont accept that.
 
Anyone had any experience with shooting H-end jewellery (tricky one) ?

I'm in Poole, Dorset, UK
Ilia
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Chokourov
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« Reply #1049 on: December 21, 2013, 05:14:35 AM »
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Phil
Reflectors made of polystyrenes ( how to spell this ?) and scrim starched on frame, flags from black card as usual.
Mirrors and highly reflective things create overexposed spots on polished jewellery and destroy smooth reflection lines on jewellery surface but this is good only for this particular rings to highlight the shape ( customer wanted to see the "flow" ). For diamond "pave" set pieces were not much of plane polished metal good to use silver pop-up reflectors they kinda break the light and diamonds pickup diffraction and rainbow colors.
Ilia
P.S. "These look clean for SOOC" jewellery has been cleaned in ultrasonic cleaner and dryed with steam after I use only microfiber gloves (black) to handle this and keep all set V clean use watchmakers blow thing to dust off right before shot taken. I know some say it can be cleaned in Photoshop I honestly given up cleaning fingerprints from jewellery shots.
« Last Edit: December 21, 2013, 07:15:37 AM by Chokourov » Logged
kikashi
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« Reply #1050 on: December 21, 2013, 11:58:52 AM »
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Now that's the house I always wanted for myself on a cliff, overlooking Monaco. Or even Loch Tay.

I doubt you'd use the pool much at Loch Tay, Rob.

Jeremy
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Rob C
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« Reply #1051 on: December 21, 2013, 12:08:21 PM »
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I doubt you'd use the pool much at Loch Tay, Rob.

Jeremy

I would have improvised: used a wetsuit!

(Pools: we purposely avoided a complex with pools when we bought. In 'holiday' resorts they attract children, drunks and sound-barrier punkists. I think you now also need to pay for a guard. Even country house ones are a drag: the noise from neighbouring houses is as bad unless you can live far out in the sticks. But that usually means buying an estate along with the pool.)

Rob C
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Phil Indeblanc
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« Reply #1052 on: December 21, 2013, 07:35:53 PM »
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...jewellery has been cleaned in ultrasonic cleaner and dryed with steam after I use only microfiber gloves (black) to handle this and keep all set V clean use watchmakers blow thing to dust off right before shot taken. I know some say it can be cleaned in Photoshop I honestly given up cleaning fingerprints from jewellery shots.

Hehe, In a pinch, I used to use my espresso machine steamer for this.  Being born into the 5th generation of the business you get to adapt with what you have :-)
You do need a commercial high pressure machine. Krups ain't gonna cut it. Ot a industry steamer. Ultrasonic is helpful too.  Its best to not handle after manufacture, rhodium plate etc. lint in prongs from clothes are a pain to work with.
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Chokourov
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« Reply #1053 on: December 22, 2013, 09:52:21 AM »
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Phil
Cannot agree more cleaning this things is pain in I know what is lint in prongs tried with needle and tweesers stubborn stuff on the end I burn it with lighter it works :-)
Don't have industrial Espresso machine ( love to have one actually:-) I bought old steam cleaner on flee-bay it seeping stem form all aver but work ok.
Photo is my second job don't see how you guys can pay bills from photo this days. I do jewellery desighn (cad and conventional drawing) plus  gem and diamond setting, it help as I see how this gems react on different light and angles.
Here is one from rejects (swear there no manipulations except crop, exposure and colour balance don't think it needed)
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Lorenzo Pierucci
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« Reply #1054 on: December 22, 2013, 10:48:26 AM »
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Shoot for MMoser Taipei ( Taiwan )
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Phil Indeblanc
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« Reply #1055 on: December 22, 2013, 01:09:19 PM »
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No shooting this stuff is more pain than pay. Its also very hard to explain to a manufacturers mentality about good imagery, when all they do is think how many pieces they can stuff in one shot.
But those are the newbies who have no clue about marketing.  I stopped being an educator, so I don't do these types of shoots much any more.  

You likely use Solidworks and Matrix, Rhino etc. good stuff. You can create images from those files too.  That last one, left stud can be better positioned, but it is nice. (When I say better, I mean I might have positioned it differently:-). It looks great.)
« Last Edit: February 26, 2014, 01:17:37 PM by Phil Indeblanc » Logged

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JoeKitchen
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« Reply #1056 on: December 22, 2013, 01:28:33 PM »
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A very good friend of mine recently finished her first high end interiors project.  Shot this about 2 weeks ago, during a blizzard; luckily we both live around the corner from this project  Cheesy
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Joe Kitchen
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"Photography is one percent inspiration and ninety-nine percent moving furniture."  Arnold Newman
"Try not to be just better than your rivals and contemporaries, try to be better than yourself."  William Faulkner
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« Reply #1057 on: December 22, 2013, 01:44:01 PM »
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These look rather good Joe
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JoeKitchen
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« Reply #1058 on: December 22, 2013, 03:55:15 PM »
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Thanks Phil. 
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Joe Kitchen
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"Photography is one percent inspiration and ninety-nine percent moving furniture."  Arnold Newman
"Try not to be just better than your rivals and contemporaries, try to be better than yourself."  William Faulkner
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« Reply #1059 on: December 22, 2013, 05:13:35 PM »
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Hello,

This is the first of a number of 24 locations I have to photograph around New Zealand over the summer for a client of mine.

Nikon D800E and Nikon 14-24mm G lens

Cheers

Simon
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Simon Harper
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Auckland, New Zealand
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