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Author Topic: Re: Recent Professional Works 2  (Read 205749 times)
SeanBK
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« Reply #1400 on: May 28, 2014, 02:50:42 PM »
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Terrific as always. You have that signature look that exudes perfection. Thnx for sharing.
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danlandoni
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« Reply #1401 on: May 29, 2014, 03:50:44 PM »
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A few from yesterday!  Phase one P30+ and Hassey H2. 80mm and 50-110mm



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Slobodan Blagojevic
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« Reply #1402 on: June 03, 2014, 06:39:11 PM »
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This shot has been recently licensed to Canon through ImageBrief photo library for worldwide use, all media, one year, exclusive. More on ImageBrief blog: http://tinyurl.com/l2nkn3m


Paris - Pont Notre-Dame
by Slobodan Blagojevic, on Flickr
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sdwilsonsct
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« Reply #1403 on: June 03, 2014, 07:14:12 PM »
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A nice little earner (and great image): congrats, Slobodan!
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wolfnowl
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« Reply #1404 on: June 04, 2014, 01:14:30 AM »
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Congrats indeed!
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Eric Myrvaagnes
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« Reply #1405 on: June 04, 2014, 01:31:25 AM »
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My congrats, too.
I hope you get paid!
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Slobodan Blagojevic
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« Reply #1406 on: June 04, 2014, 09:51:49 AM »
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... I hope you get paid!

Fortunately, ImageBrief is not a penny stock agency. It pays previously unheard of 70% of royalties  to the photographer. As how much the client paid, you can find in the provided link Smiley
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Eric Myrvaagnes
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« Reply #1407 on: June 04, 2014, 11:57:11 AM »
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Unlike the penny stock outfits, ImageBrief must have someone on staff who can actually appreciate quality photography.
I'm delighted that we got to see it here for free!  Wink
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haefnerphoto
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« Reply #1408 on: June 04, 2014, 04:59:19 PM »
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This shot has been recently licensed to Canon through ImageBrief photo library for worldwide use, all media, one year, exclusive. More on ImageBrief blog: http://tinyurl.com/l2nkn3m


Paris - Pont Notre-Dame
by Slobodan Blagojevic, on Flickr

That's a great fee!  I sold a racetrack shot thru them for close to that but it included a location fee.  I think Imagebrief is an interesting concept and they've had great success as far as I can tell.  Jim
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MarkoRepse
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« Reply #1409 on: June 06, 2014, 02:11:58 AM »
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Nice Slobodan! The income looks good too Smiley
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Phil Indeblanc
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« Reply #1410 on: June 10, 2014, 04:22:05 AM »
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bcooter…

Revives my urge to get a used 1Ds! Amazing work of course. Just curious, did you ever try the Kodak DCS Pro SLR Canon or Nikon versions? I remember trying one out when they were new and at that time thought the colors and skin tones were superb.


I still have my Kodak DCS  ProSLR/c. I recently sold my 1Ds (It is a superb machine).
The Kodak and the software are really amazing. To this day the software is superior over many I use. The problem is that the sensor has issues with direct light into the lens.
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Chris Livsey
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« Reply #1411 on: June 10, 2014, 06:55:44 AM »
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I still have my Kodak DCS  ProSLR/c. I recently sold my 1Ds (It is a superb machine).


Interesting post in Lens Rentals Blog on cover glass thickness, and its effects. A trend, on the limited data, is how this has increased since the early models, perhaps contributing to the "effect' or "look" of those early models.

http://www.lensrentals.com/blog/2014/06/sensor-stack-thickness-when-does-it-matter
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Phil Indeblanc
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« Reply #1412 on: June 10, 2014, 11:48:26 AM »
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One thing for sure, the Kodak had a very LF Db look to the files. It too had no AA filter, and the files with Leica glass were beautiful...in the right light
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bcooter
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« Reply #1413 on: June 10, 2014, 12:37:34 PM »
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bcooter…

Revives my urge to get a used 1Ds! Amazing work of course. Just curious, did you ever try the Kodak DCS Pro SLR Canon or Nikon versions? I remember trying one out when they were new and at that time thought the colors and skin tones were superb.


Second,

I still use the 1ds some, not a lot, but it seems slow by todays standards, though slow is a relative term.

It worked under any lighting condition from day to tungsten, and really was a ground breaking camera, actually the first digital camera I used that worked and looked like film



My first professional digital camera was the dcs 760 nikon version which was very good, best camera body in the world, based on a F5 that is just head and shoulders above any camera Nikon made then or sense then, or probably ever will, with great focus, removable prisms and Nikon's famed metering

If it just had 6 more mpx to stop any alaising, though honestly I could shoot with it today and not be bother by it.  Then the max iso was around 200, but with todays processor you could easily double that.

These 760 images were both shot in LA, obviously different projects.


It really was a great camera and one of the few that I miss.

I think this shows how good digital was then and even though buffers and lcds were smaller, iso more limited, the cameras were really based on a film like look and are still viable.

All of us can be gear heads, thinking the next great camera will help us produce the next great body of work and these forums are made for gear heads,  but as we all know it's the subject, the photographer  it's  more than anything,  as long as the camera doesn't stop you.

IMO

BC





« Last Edit: June 10, 2014, 12:41:54 PM by bcooter » Logged

Phil Indeblanc
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« Reply #1414 on: June 10, 2014, 01:19:59 PM »
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Yes. When ever there is ground breaking new technology, the first ones are made the best with the new born tech. But as soon as its discovered how to exploit the potential and need, the design limiters crop up to force consumers to consume more...Not all of them perhaps...but you know what I mean.
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pixjohn
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« Reply #1415 on: June 10, 2014, 05:08:58 PM »
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I still love my Leaf Aptus back even though I have shot with much newer Phsae One backs, I still like the look of the final images. I just wish technically it worked better. I don't need more megapixels, I am fine shooting at 50 iso and can live with the poor quality live video.
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HarperPhotos
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« Reply #1416 on: June 17, 2014, 02:33:14 AM »
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Hi,

Its not often I shoot fashion.

Cheers

Simon
« Last Edit: June 17, 2014, 02:46:14 AM by HarperPhotos » Logged

Simon Harper
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haefnerphoto
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« Reply #1417 on: June 17, 2014, 05:51:40 AM »
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Simon, These look great!  Everything works well together, styling, talent, light and expression, it's really nicely done!  Jim
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sam@
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« Reply #1418 on: June 17, 2014, 06:06:27 AM »
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Hi Simon

I like the lighting and the background in the second image and nice perspective.

What lens did you use for this?
(I can see a tiny bit of purple fringe in the dress, but can't quite work out the green edging on the things hanging in the top background - does that come from the green window glass panes or chromatic aberration?

You might consider removing the little support under the table leg - it catches the eye a bit.

Looks good!

Best

Sam



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HarperPhotos
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« Reply #1419 on: June 17, 2014, 03:56:45 PM »
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Hello,

Thanks Jim for your kind words.

Sam the lens I used was a Nikon 50mm F1.4 G lens at F2.0 on a Nikon D800. I was hoping to have my new Sigma 50mm F1.4 Art lens from B&H but I think Americans get first dibs over us plebs down here in the South Pacific.

Now that is purple fringing in the dress as I hadn’t turned on the lens profile in ACR. The green is the light coming through the window which I like.

Just saw the table leg support. Thanks for pointing it out.

The model Amber is the partner of one of my assistance I have and she owns a vintage boutique shop in a lovely part of Auckland called Devonport

https://www.facebook.com/amberlavintage?fref=ts

Cheers

Simon
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Simon Harper
Harper Photographics Ltd
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http://www.facebook.com/harper.photographics

Auckland, New Zealand
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