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Author Topic: Re: Recent Professional Works 2  (Read 240966 times)
ACH DIGITAL
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« Reply #400 on: May 23, 2013, 07:19:36 PM »
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Thank you guys!
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Antonio Chagin
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Chris Barrett
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« Reply #401 on: May 23, 2013, 08:49:46 PM »
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Nice light outside as we were wrapping our interiors shoot...

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Aphoto
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« Reply #402 on: May 24, 2013, 01:48:20 AM »
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Fascinating room, Adrian. Where is it?

Jeremy

Its an old indoor swimming pool from 1917 in Heidelberg, Germany, which they converted into a market hall (well, and Restaurants, Bar, Wellness, Hotel ...)

before:




after:
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Best, Adrian // www.adrianschulz.com
kikashi
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« Reply #403 on: May 24, 2013, 03:05:47 AM »
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Its an old indoor swimming pool from 1917 in Heidelberg, Germany, which they converted into a market hall (well, and Restaurants, Bar, Wellness, Hotel ...)

Interesting. Sympathetically done, too (apart from the lights).

Jeremy
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KLaban
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« Reply #404 on: May 24, 2013, 06:31:28 AM »
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I'm always drawn to these places before the developers move in.
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fredjeang2
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« Reply #405 on: May 24, 2013, 07:36:45 AM »
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I'm always drawn to these places before the developers move in.
Good idea.
When "arquitects" put their hands on those they
Have unlimited habilities to transform a rafined place with
Soul into a cold unpersonal and highly unfunctional
Speculative space.
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Rob C
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« Reply #406 on: May 24, 2013, 08:16:55 AM »
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Okay, one of my last commercial shoots, for a friend's sales brochure for her yacht.

Nikon F4s, Kodachrome 64 or Velvia 50 scanned via CanoScan FS4000US.

Location: off Palma de Mallorca, Baleares, Spain.

Rob C
« Last Edit: June 27, 2013, 10:36:18 AM by Rob C » Logged

Kirk Gittings
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« Reply #407 on: May 24, 2013, 12:12:55 PM »
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Another from the Clarke County Wetlands Park in Las Vegas NV by Dekker Perich Sabatini in late afternoon light.
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Kirk

Kirk Gittings
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« Reply #408 on: May 24, 2013, 12:14:08 PM »
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Interesting. Sympathetically done, too (apart from the lights).

Jeremy

Great project (hate those tables....)
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Thanks,
Kirk

Kirk Gittings
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Craig Lamson
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« Reply #409 on: May 24, 2013, 12:37:14 PM »
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Okay, one of my last commercial shoots, for a friend's sales brochure for her yacht.

Nikon F4s, Kodachrome 64 or Velvia 50 scanned via CanoScan FS4000US.

Location: off Palma de Mallorca, Baleares, Spain.

Rob C

Rob, you did good.  How many images did you use for the composite?  Smiley Smiley
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Craig Lamson Photo
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« Reply #410 on: May 24, 2013, 12:38:35 PM »
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Another from the Clarke County Wetlands Park in Las Vegas NV by Dekker Perich Sabatini in late afternoon light.

I prefer the after sunset version, but this is nice.
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Craig Lamson Photo
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Kirk Gittings
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« Reply #411 on: May 24, 2013, 12:49:03 PM »
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I prefer the after sunset version, but this is nice.

Me too, but I try and need to offer my clients a lot of variety for their various requirements. Most of my clients are architects and need images for marketing and design competitions etc. Therefore I need to cover a building thoroughly. Rather than just boring documentary photographs of various angles I always try to capture them in good luscious light.
« Last Edit: May 24, 2013, 12:54:31 PM by Kirk Gittings » Logged

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Kirk

Kirk Gittings
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Craig Lamson
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« Reply #412 on: May 24, 2013, 01:04:37 PM »
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Me too, but I try and need to offer my clients a lot of variety for their various requirements. Most of my clients are architects and need images for marketing and design competitions etc. Therefore I need to cover a building thoroughly. Rather than just boring documentary photographs of various angles I always try to capture them in good luscious light.

Completely understood.
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Craig Lamson Photo
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kikashi
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« Reply #413 on: May 24, 2013, 02:04:24 PM »
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Great project (hate those tables....)

Yes, I'm with you there.

Jeremy
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Rob C
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« Reply #414 on: May 24, 2013, 02:49:16 PM »
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Rob, you did good.  How many images did you use for the composite?  Smiley Smiley


As I can't even remember whether it was Kodachrome or even Velvia, you are asking too much of this addled brain!

Just pleased that I managed to catch a bit of atmosphere, though even that strikes me as rather a sad one, mirroring the reality of the need for the shoot.

Age is a bugger because it doesn't come alone, but drags along a host of tiny siblings with funny medical names. And mostly you can't see them until they bite, by which time it's too late.

Oh well, it's good while it lasts - if you're lucky!

;-)

Rob C
« Last Edit: May 24, 2013, 02:50:59 PM by Rob C » Logged

KLaban
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« Reply #415 on: May 24, 2013, 04:12:52 PM »
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Nice little interiors project.  The austere esthetic was driven by the German client.  The severity of it warms my cold heart.









C -> B

Love these single point images, pure simplicity.

Having said that the one thing that occasionally bothers me is the rendition of circular objects such as the lampshade in the second image and its relationship to the table beneath. Somewhat unsettling but perhaps unavoidable? The painter in me wants to correct for it. 
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fredjeang2
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« Reply #416 on: May 24, 2013, 04:28:29 PM »
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... the rendition of circular objects such as the lampshade in the second image and its relationship to the table beneath...

Gosh, I was seeing exactly the same on the same image and it really disturbed me. I wanted an eraser to remove it.
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bcooter
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« Reply #417 on: May 24, 2013, 05:11:45 PM »
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Nice light outside as we were wrapping our interiors shoot...



God i  love Chicago.

I think it's the prettiest city in America, if it just wasn't so damn cold.

My studio was just behind the Wrigily Building, across the rive in the old Stone Container and later Crain communications building., on the 15th floor.

Use to have lunch in the summer one the columns on the roof.



BC

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Chris Barrett
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« Reply #418 on: May 24, 2013, 05:13:49 PM »
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Gosh, I was seeing exactly the same on the same image and it really disturbed me. I wanted an eraser to remove it.

Totally drives me nuts, but it's a function of perspective.  If you made a mechanical drawing of the same composition from the camera position (to accurate scale) the circles would render with the same distortion.  Sometimes I do correct for this by rotating the camera until the round object is centered in the lens and then shifting the back to retain the same composition...  I did this just yesterday, but it's impossible when composing a 1 point perspective that is square to the architecture.

Actually the linear elements in the shot show the same degree of "distortion".  We just don't perceive it as much as we do with circles.

CB
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bcooter
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« Reply #419 on: May 24, 2013, 05:16:46 PM »
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p30+/Contax

Shot with HMI's, Winow Light and some cutters.



Red (the medium format of the digital motion world)

Shot at a trillion ISO with one small hand held led.

BC
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