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Author Topic: Re: Re: Recent Professional Works 2  (Read 7022 times)
Rob C
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« Reply #20 on: June 30, 2013, 01:44:10 PM »
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Working on the website and wondered if I'd posted this already.

I hope not - but anyway, another Kodachrome 64 on a relatively local beach.

Rob C
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SecondFocus
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« Reply #21 on: June 30, 2013, 04:02:56 PM »
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Rob you could post this one daily (or any of the others you have been posting) and I would be just fine with it!

Working on the website and wondered if I'd posted this already.

I hope not - but anyway, another Kodachrome 64 on a relatively local beach.

Rob C
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Ian L. Sitren
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« Reply #22 on: June 30, 2013, 04:07:03 PM »
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Rob you could post this one daily...

Just avoid lunch breaks  Grin
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Slobodan

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michele
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« Reply #23 on: June 30, 2013, 04:24:19 PM »
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Hi Rob, no it wasn't the Pevero golf club, it's a little golf house, Puntaldia golf club...
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Rob C
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« Reply #24 on: July 01, 2013, 02:31:37 AM »
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Thanks, Ian - reminds me of something I read last week in a book about Bob Carlos Clarke, where another photographer, John Stoddard, says: "Our friend Patrick Lichfield embraced digital photography, spent a lot of money on it, but later regretted it. He said he lost everything because of it. I'm sitting there with Barry Lategan and Patrick said, 'I regret it with all my heart. All of my photography has gone.' he said, 'I have no travel, no one wants to take me away.' But he opened it up for everyone else."

The book's Exposure, by Simon Garfield. A riveting read, as they say.

My plight's similar but different: I have location but nobody wants to send me models and work.

Slobodan, I do my best to post outwith lunchtimes: you know I don't want to upset the troops.

Michele - I thought Pevero because of the sea and what I thought I remembered as the northern islands - just south of Corsica. Lovely part of the world, but I could never forget about the Getty boy, the ear, the bandits and the pig farms for disappearing the evidence. Perhaps Vincent Van Gogh always wanted to visit. But who in their right mind would have kidnapped him?

;-)

Rob C
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Rob C
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« Reply #25 on: July 05, 2013, 02:19:29 PM »
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As a change from Nikons, here's one on either my Hasselblad 500 C or the CM, with 4/150mm optic. Wish I'd had a 180mm but they didn't make them when I was building up the outfit; had a 180mm on the Mamiya TLR that I used to complement the Rollei TLR, and though a lousy mechanical trick to frame with that Mamiya and a silly red line that moved, it gave great results when you did it correctly. Film was Ektachrome 64.

I shot the tranny on my lightbox using the D700 and a 2.8/105 Micro Nikkor. So maybe it really still is a Nikon image after all.

Client was Glayva Liqueur, and we did their calendar in the Canary Islands one freezing March. But it was even more freezing in Scotland, so it was good to escape!
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HarperPhotos
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« Reply #26 on: July 05, 2013, 09:43:58 PM »
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Hello,

Shot this the other night for a design company.

Stats:

Nikon D800E
Nikon 24mm PC-E lens
F11.0, 4 Sec, 100ISO

Cheers

Simon
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Simon Harper
Harper Photographics Ltd
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Auckland, New Zealand
MichaelEzra
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« Reply #27 on: July 06, 2013, 10:30:13 PM »
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A recent addition to Levitation series:

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Rob C
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« Reply #28 on: July 08, 2013, 10:36:30 AM »
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Some more Kodachrome 64.

Rob C
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ACH DIGITAL
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« Reply #29 on: July 09, 2013, 03:13:23 PM »
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Hello,

Shot this the other night for a design company.

Stats:

Nikon D800E
Nikon 24mm PC-E lens
F11.0, 4 Sec, 100ISO

Cheers

Simon

Hello Simon, nice shot very intense colours. How do you find the 24mm PC-E lens?
ACH
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Antonio Chagin
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« Reply #30 on: July 09, 2013, 03:15:04 PM »
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D800 = 120mm Rodenstock APO



ACH
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Antonio Chagin
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HarperPhotos
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« Reply #31 on: July 09, 2013, 03:58:28 PM »
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Hi Antonio,

Love this image plus the slight green gradient behind the bottle looks great.

Cheers

Simon
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Simon Harper
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ACH DIGITAL
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« Reply #32 on: July 11, 2013, 06:01:22 AM »
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Simon, many thanks.
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Antonio Chagin
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Rob C
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« Reply #33 on: July 14, 2013, 04:58:51 PM »
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More black and white Kodachrome 64.

An impossible shot today. The area behind the trees used to be a cornfield, and when the wind blew, it was like watching a golden sea (Golden Era, naturally), and now, after the interference of the EEC, which bribed the farmer to abandon the growing and to kill off all his animals (no doubt to the high glee of the French and German farmers), the place has been left to nature and a new pine tree forest is talking hold... we used to be able to enjoy a view of the mountains behind Pollensa, about 8 klicks away behind the model - now, you can see only pines, right under your nose, and their yellow pollen covers everything with a sticky mess. Soon, I'll have to keep the terrace lights on in daytime.

;-(

Rob C
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MichaelEzra
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« Reply #34 on: July 15, 2013, 09:26:23 PM »
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Some of my recent images were just published in the new issue of photographizemag:
http://issuu.com/photographizemag/docs/photographize_magazine___issue_15_-
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ACH DIGITAL
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« Reply #35 on: July 16, 2013, 05:36:10 PM »
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Some of my recent images were just published in the new issue of photographizemag:
http://issuu.com/photographizemag/docs/photographize_magazine___issue_15_-

Congrats Michael.
ACH
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Antonio Chagin
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SecondFocus
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« Reply #36 on: July 16, 2013, 10:07:41 PM »
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Superb! Your photographs and the magazine.

Some of my recent images were just published in the new issue of photographizemag:
http://issuu.com/photographizemag/docs/photographize_magazine___issue_15_-
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Ian L. Sitren
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Rob C
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« Reply #37 on: July 17, 2013, 02:17:27 PM »
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Cooter, innit time you posted us some photos?

Rob C
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Chris Barrett
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« Reply #38 on: July 17, 2013, 04:59:25 PM »
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I really can't stress how fun my new little hobby is...

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JoeKitchen
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« Reply #39 on: July 17, 2013, 08:05:49 PM »
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I really can't stress how fun my new little hobby is...


You have a track and a "sled?"  That's cool.
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Joe Kitchen
www.josephmkitchen.com

"Photography is one percent inspiration and ninety-nine percent moving furniture."  Arnold Newman
“Don't bother just to be better than your contemporaries or predecessors. Try to be better than yourself.”  William Faulkner
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