Very nice work Egill

Wow, very nice! Its funny how some images are so powerful, even when there is no detection of the quality or lack of in the processing or equip used. These are nice examples to say the least.

wonderful image...If I may ask...Did you resize the moon?

Recent San Francisco

More San Fran
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Recent work. Shot on location at dusk.

Why am I thinking Clive Arrowsmith and 1990/1991 Pirelli Calendars?

Rob C

Hehe, blue whales are indeed more of a slate grey, with just a hint of blue. I believe they actually get their name from the Caribbean Blue that water takes on when the whales are just below the surface.

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Sailors also called blue whales "sulphur-bottoms" from the coloring of diatoms which would attach themselves to the whales.

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Waterfall - Central Park, NYC



Morning Fog - Northwest CT

I really like this last one with the rays, the trees...

From the U.C. Davis Arboretum........

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love this one!

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I like this.

Back from a week at Atlantic City Beach, NJ. Here's a two-pan-stitch from my 40D using EFs-17-55. (You should see the print).

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I was up early today ... it was a real nice sunrise on the Mass / CT border ...

Hello,

Shot this the other day just down the road from my home.

Stats:

Nikon D3X
Nikon 24-85mm lens (48mm)
F8.0, 200th Sec, 100ISO
Processed in CS4

Cheers

Simon

I wish I lived somewhere as photogenic!

It conveys the vastness of the landscape well, but my eye is drawn immediately and repeatedly to the two posts, one black and one white, sticking out of the water. For me, that spoils the effect. At the risk of incurring Russ's wrath, I'd suggest you clone them out.

Jeremy

I love the second one. I hope there's a bit more detail in the white water than can be seen in the jpeg (that's the criticism that was justifiably made of one of my efforts ("Flow" in the user critiques forum) recently).

Jeremy

Nice work. I like all of the work on this page, from the San Francisco shots all the way down. Very nice gals and gals.

As a former, and still occasional, beauty shooter I love the second one, the first is no good. I assume these are personal pieces for your book. I would remove the first frame, keep the second. Here is why: Personal work is supposed to show your vision, is supposed to be free of all constraints imposed on you by a client, and thus should be original. The first shot looks like any other beauty shot for advertising a non-beauty product like cigarettes or beer. That should not be the first association that comes to mind when a CD or AD looks at your book. The second shot is interesting, the model is very good, MUA is good, looks like it was part of a fashion editorial, not a Kool Colt 45 ad. Its a little edgy, a little high fashion, a little Pris from Blade Runner. These are all good things. Just tone down the skin a bit, or a lot. People want to see real skin. Only Surface mag and and that long ad Digital Photo Pro like over retouched, fake skin. People want to see texture, real texture. This does not mean pimples and scars. You get the idea.

Window cleaners prepare a newly completed building for opening. You can just make out the reflection of the Pearl Tower. Taken this morning while scouting locations for next Wednesday's solar eclipse here in Shanghai.

300mm f4 lens on the Canon 5DII.

And you figured that YOU had a dangerous job?

Rob C

Did some fun work with a G4 ...

Undusting the D3 for some handheld street shooting.

Cheers,
Bernard

Dawn then Darkness

Time-lapse of last Wednesday's solar eclipse in Shanghai. Unfortunately the weatherman didn't get the memo for clear skies. Shot with a 1DsIII, 5DII and 40D.

Recent portrait of a friend made with a Nikon D700 and a 85mm prime.

Very well done!

My first real car shoot. I'm doing a reshoot next week. It will include under carriage, interior, and custom items. Wish me luck. If the photos are used in the submitted magazine, I might get a VIP pass to SEMA in Vegas this year!!! This truck was shown in SEMA 2008. I did this with a single 580EX with no composting. The reshoot will be done with three 580EX MKIIs for better coverage.

nice work with just one 580. just finished reading McNally's book, I have a feeling he would like that one

here is something from a side trip to Edinburgh recently. 5 shot pano from a 5D MkI.


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I really like this shot.

Very cool shot and car!

[quote name='BernardLanguillier' post='298577' date='Jul 17 2009, 10:42 PM'
Undusting the D3 for some handheld street shooting.

Cheers,
Bernard[/quote]


yes, that is a very nice image...Strong and dynamic composition, great example of positive strong saturations.

I like the strength of the front/first image. His mouth epression looks a touch "posed", but I am not gonna tell him that, he looks like he can hurt me. :-)
I like your down light cast of darkness

this was a shoot i did last week of this couple of models that just got married. its a whole series of ten shots. You can see the rest at calebcondit.com

Found this is my neglected landscape folder.

How far down is that grassy little knoll below where you're sitting? Interesting shot and you got lucky with the cloud structure. I love when that happens.

Impromptu car shot:

Definitely got lucky with the clouds. I climbed from sea level up the 250m, I would say the grassy patch is about halfway (125m). Met the guy in to picutre up there and shot with his 5D. He was busy using an old Mamiya 4x5

Hand Held at ISO 1600, Canon 1DS MKIII.

Hello,

Shot today on a Sunday drive.

Stats:

Nikon D3X
Nikon AF 24-85mm F3.5-4.5 G Lens
F5.6, 800th Sec, 800 ISO
Processed in Adobe CS4

Cheers

Simon

Hello,

Another image from Sunday.

Stats:

Nikon D3X
Nikon AF 24-85mm@40mm lens
F8.0, 400th Sec, ISO 400.
Processed in Adobe CS4

Cheers

Simon

Very nice!

Mike.

beautiful, it wouod be even better if there is no such line in lower right hand side of the image. But a beautiful image anyway.
Regards, K

A cattleman watches over the herd. Taken yesterday whilst on a trip through Inner Mongolia.

Did you make it to the top of Arthur's Seat? I've walked up there a few times (live in Edinburgh) and really wouldn't want to try to carry a 4x5 up there. Credit to the guy. Nice sky as well, Edinburgh for whatever reason, maybe because it's on the coast, always has really funky skies in the summer/autumn.

I'm not really much of a landscape photographer but took this in February of this year in Taiwan. The weather in Feb was absolutely stunning, around 20-25C in the North and 30+ in the South. This waterfall called Neidong, was taken in Wulai, about an hour's travel from the centre of Taipei.
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Very Beautiful Hans!

To Hans Feurer add Hans de Kort

Love long lenses - they can make things so beautiful, especially in colour.

Rob C

and Eddy Kohli