QUOTE (gr8fl4295 @ Oct 26 2009, 10:17 PM)

I've been using OS 10.6.1 for awhile now. Just today fired up the ol' 2200 to start updating the print portfolio again.
I downloaded all the new drivers and such, but I can't seem to get a good print.
I'm printing on Hahnemule Photo Rag Duo. I downloaded the icc profile from Hahnemule, but it prints with too much magenta.
So I calibrated my monitor, no change.
I'm pretty sure I'm selecting the steps right,
select the paper size and printer,
select photoshop manage color,
select hahnemule profile,
select the recommended paper setting,
turn off color correction (which I think is in a new place in the drive, under output 1, select "Uncorrected",
all this and the print comes out magenta!
I then selected Adobe RGB (1998) for color management, the color was better but still dark and muddy.
This really sucks!!
Not sure what to do. I need to get a portfolio done, it's crunch time.
I'm considering buying a new Canon printer. But does Canon have the same problems as Epson? It is smooth sailing for Canon printers and OS 10.6.1?
Any suggestions appreciated.
I can't speak to the 2200 problem, or to the PS questions. I use PS (on the Mac side) for image manipulation and do most of my printing in Corel PhotoPaint, (in Win XP) which does not slice & dice printer driver screens like PS does. Time has marched on since the 2200. I was an early owner of the 9500 Mk. I I have had a few problems with non Canon profiles but mainly have had issues with the ones Canon shipped with the printer (which have been updated) for Canon papers. Most of these house profiles are not very good for critical work. They are adequate for 4 x 6 snapshots on Canon Glossy or Semi Gloss. However, with Harman Bartya and Harman's profiles, the results can be wonderful, ditto for Pictorico gallery Film (I had custom profiles made for that).
My impression that the Mk I/MK II difference is a firmware/software update. The MK II is alleged to be faster than the Mk I which was/is notorious for glacial printing cycles. (Glacial before global warming

Same heads, same inks. The MK II also has a software feature that allows one to specify the type of light that the print will be hung in and "bias" the resulting print for tungsten, flouresecent, daylight, etc. I think this is a gimmicky feature and, in any event, what if you change your room lighting or move the print around? We are starting to adopt LED lighting in our home (CFLs being an evironmental dead-end). The lunar white of LEDs is going to change the way we look at color after over a century of tungsten and then flouresecent in the home.