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Fuji G617

Fuji makes some strange and wonderful cameras.  Among these is the Fuji GX617.   (I have the older "G" model, with a fixed 105mm lens).  Using 120 roll film, the 617 takes a frame 2.25" wide by 7 inches long.  Essentially, that's half of a 5X7" sheet film!  Remarkably the camera can be hand-held, though you wouldn't want to.

Fuji 617

The image height to width ratio is 3:1.  (Click here for a discussion on aspect ratios). Also, only 4 pictures can be made per 120 roll and accurate framing isn't easy unless a ground-glass is used, (only when the camera is empty of film, of course).

Rocks and Cactus - Jushua Tree

Joshua Tree National Park — 1998

The Fuji's wide 105mm lens (there are 90mm, 105mm, 180mm and 300mm lenses available for the GX) ‹ needs a 2-stop centre ND filter to provide a completely even exposure field.  The shot above did not include its use and you can see the subsequent darkening of the upper left and right hand sky.  I should have used it.  Photographs of scenes without areas of clear sky seldom require its use.

Shenandoah Sunrise — 1998

A more critical issue with the Fuji, as with all wide-format and panoramic cameras is that they must be positioned absolutely level.  Any tilt whatsoever will ruin the photograph.  The Fuji 617 has built in bubble-levels for this purpose.

Guest Photographer Alain Briot uses the Fuji 617 as well. A portfolio of his panoramic images can be found here and an essay on why he uses the Fuji GX617 panoramic format camera can be found here.

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Concepts: Camera, Photography, Aspect ratio, Ratio, Panorama, Ratios, Panoramic photography, Photographic film

Entities: Alain Briot

Tags: camera, panoramic format camera, Photographer Alain Briot, centre nd filter, right hand sky, panoramic cameras, aspect ratios, width ratio, image height, subsequent darkening, accurate framing, panoramic images, critical issue, upper left, clear sky, ground-glass, essay, discussion, wide, pictures, Photographs