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Canon 400mm f/4 IS DO Lens
Super Telephoto

 
Wading 5 — Bosque del Apache

Canon D30 @ ISO 100 using a 400mm f/4 IS DO lens. 1/800 sec @ f/5. EFL= 640mm

Canon Canada loaned this exciting new lens just a few days before my leaving for a wildlife shoot at Bosque Del Apache in New Mexico — one of the premier locales for shooting Sandhill Cranes and Snow Geese in North America. This review is therefore divided into two sections: The first consists of some static tests and comparisons done prior to the trip, and the second contains photographs and impressions made during the shoot at Bosque.

To my knowledge this is the first hands-on review of a production Canon 400mm DO lens to appear anywhere in the world.

This field review is featured in an extensive video segment in Issue #3 of The Luminous Landscape Video Journal.

This page contains a number of large test images and samples, therefore it will load slowly unless you have a high-speed Internet connection. Be patient. It's worth it.

Technical Note: Because many of the photographs in this review were done with a Canon D30 which has a magnification factor of X1.6, and also with a 1.4X Extender, I have noted the Effective Focal Length (or EFL) of the lens used. This will help give you an idea of the equivalent focal length on 35mm film.

Ultra Small — Ultra Light

This revolutionary lens was first shown at Photokina in September of 2000. It was supposed to ship in the first half of 2001 but was delayed until December. According to Canon the new EF 400mm f/4 DO IS USM is 26% shorter and 36% lighter than a conventional lens with the same focal length and aperture specifications.

That's the good news. The bad news is that the lens has a manufacturers' suggested retail price of U.S. $8,900 — which likely means a retail price of about $6,000. Whew! Canon's 400mm f/2.8L IS lens sells for about $1,000 more, but is a stop faster and much heavier and larger.

If you can live with f/5.6, and don't need the IS technology, you can buy Canon's 400mm f/5.6 lens for only $1,000. Another comparison is that this lens is about the same price as Canon's 500mm f/4L IS lens. Longer focal length, same speed, IS technology, but much bigger and much heavier.

Quite a difference whichever direction you turn. As the saying goes, "You pay your money and you take your chances." Let's see what your money gets you in this case.

The Technology

The big news here, and what allows the lens to be so much smaller and lighter than anything comparable is the use of Diffractive Optics; specifically the use of what Canon calls "the Multi-Layer Diffractive Optical Element's diffraction grating".

Let's decode the bafflegab. If you want all the gory details there's an excellent write-up at dpreview.com from when the lens was first announced. Here's the short version...

"To make a lens smaller and lighter, the spacing between the elements is shortened and the refractive properties of the front and rear lens groups become more pronounced. This, however, results in increased chromatic aberration. To resolve this problem, the Multi-Layer Diffractive Optical Element is located within the lens to cancel out the occurrence of chromatic aberration.

By combining a Multi-Layer Diffractive Optical Element and a refractive optical element within the same optical system, chromatic aberration (color smearing), which adversely affects image quality, can be corrected even more effectively than with a fluorite element. Also, by adjusting the pitch (spacing) of the diffraction grating, the diffractive optical element makes possible the same optical characteristics as a ground and polished aspherical surface, which effectively corrects for spherical and other aberrations."

Got that?

First Impressions

  

Ones first impression of this lens is coloured by whether or not one owns or has used one of Canon's other Super Telephoto lenses. As the owner of Canon's 300mm f/2.8L IS lens I was amazed at how small and light the 400mm DO was by comparison. On the other hand a colleague who has never used one of the big telephotos before was impressed with how big the DO was when seen compared to more typically sized lenses. Everything is relative I suppose.

The photo above at left shows the 400mm f/4  DO next to the 300mm f/2.8L IS. Yes, the smaller one is the 400mm. Remarkable. The frame at right above shows the 400mm f/4 DO next to the Canon 100~400mm f/5.6L IS zoom, with the zoom extended to its 400mm position. 

Some Comparisons

My approach to testing new lenses is much the same as that of other photographers. I'm most interested in how it performs in the field, but can't resist the temptation to do some comparisons with lenses that I'm already familiar with. I'm not especially interested in shooting lens resolution charts. I leave that to others.

Testing the 400mm DO was a bit of a challenge though. It was being loaned to me for just one week. The good news was that 4 days of the 7 would be spent on a wildlife shoot at Bosque del Apache in New Mexico — an ideal venue for becoming familiar with a new long lens. The bad news was that, excluding two travel days, this left me with just one day to do some static tests, and that day it turned out was on a bleak, cold, rainy late November morning.

Given that I wanted to compare the 400mm f/4 DO to both the 300mm f/2.8L IS and also the 100~400mm f/5.6L IS zoom, and I was also at the same time testing the new 70~200mm f/2.8L IS against its predecessor, I had a pretty hectic time of it. Because of the logistics and bad weather my testing venue ended up being my back yard, with some faded plants at the end of the garden becoming my test subject.


400mm DO @ f/8

This shot is full frame @ 400mm of the test subject. I won't repeat any more full frame images because frankly, they all look much the same at this on-screen size. You can see an enlarged version by clicking on the picture.

I shot this scene with three lenses — the 400mm f/4 IS DO, the 300mm f/2.8L IS (moved closer so that the image size was the same as with the 400mm lens), and the 100~400mm f/5.6L IS zoom set at 400mm. I did frames with each camera at f/4, f/5.6 and f/8, (the zoom only at f/5.6 and f/8 because its maximum aperture is f/5.6). 

The camera used was a Canon D30 set at ISO 100. The lenses were each mounted directly on a Gitzo 1349 carbon fiber tripod using an Arca Swiss B1 head. The camera body was then mounted on the lens. Shots were taken with IS mode both turned on and off.

Before anyone jumps in and says, "Ya but...", wanting to criticize me for using a digital SLR rather than film, just let me say that over a 2 hour period I shot more than 100 frames. To then have had to scan each of these would have been tiresome at best and in any event would have taken far more time that I could expend. (Also, while high-res scans would have shown more detail, they would have shown more detail on all images  from all three lenses. I therefore feel that the playing field is level.)

Finally, I examined each frame at 100%, "Actual Pixels" magnification. I carefully compared both center and edges. I made extensive notes of the results. What you see below is a brief summary of those test notes and a few sample images along with my judgment of each lens' performance under these test conditions.

Incidentally, the minor colour and brightness variations seen below are simply due to my inability to exactly match the images given the time available. Don't judge the colour rendition of the lenses from these tests.

Wide Open


400mm DO @ f/4


300mm IS @ f/2.8


100~400mm IS zoom @ f5.6

The two big primes are essentially identical in performance though the 300mm lens appears slightly sharper than the 400mm DO. (At f/4 the 300mm lens is stopped down 1 stop, so I'm not really surprised). The 100~400mm zoom is significantly less sharp than the other two when used wide open (f/5.6). Since the 300mm f/2.8L IS is regarded by many as the benchmark high-speed telephoto lens, and in my experience is one of the sharpest lenses I've ever seen, this is exceptional performance from the DO lens.

With both prime lenses edge sharpness at various apertures pretty well tracks that of the lens' centers.

 

Since this review first appeared a number of people have written to express their concern about the results from the 100~400mm lens. Some have questioned whether the lens was properly focused and even whether my particular lens has a problem.

Let me first point out that yes, the lens was properly focused. Also, this particular lens has been my most used for wildlife work for the past two years. I've produced some extremely fine results with it. But, it really isn't in the same league as either the 400mm DO or the 300mm f/2.8 when used wide open. When one is paying $5-$6,000 for a prime super-telephoto one is getting a very sharp lens indeed and the ability to extract that performance even at full aperture.

Finally, please note that the three frames above are 100% actual pixel enlargements — not full frames. The full frames were the size as seen at the top of the section.

At f/8

I examined all three lenses, center and edges, at f/8 as well. The 400mm f/4 DO and the 300mm f/2.8L IS appear essentially identical. Unless I looked at the frame identification I couldn't tell them apart. (Remember, framing is slightly different because I had to move the camera to match image size between the lenses because of their different focal lengths.)

The 100~400mm zoom was simply not in the same league, even closed down 2 or 3 stops. 

         

400mm f/4 DO                        300mm f/2.8L IS               100~400mm f/5.6L IS zoom

Static Test Evaluation

I won't bore you with more comparison frames to peer at and ponder. It was clear from these tests that the new Canon 400mm f/4.0 DI IS lens a superb optic, fully the equal in terms of image quality of Canon's other super-telephoto lenses. No, I didn't conduct a complete lab test — I'll leave that to someone with both an optical lab and the inclination. What I was able to establish after several hours of blurry eyed examination of screen and prints was that I would be able to take this lens into the field with complete confidence that the images I would bring back would be as good as the lens maker's art is currently capable of, (and at a street price of more than US $6,000, it better be!)

Minor Observations

Though in terms of price, features, performance and optical quality this is one of Canon's top lenses, it is not designated as an "L" series lens. It thus doesn't have the red ring around the lens barrel that all L lenses do. Instead its designation is DO and it has a green barrel ring. Apparently this is destined to be the first of a new line of lenses with its own designation and cosmetics. Just thought you'd like to know.

Otherwise the 400mm f/4 DO IS is a clone of Canon's other top IS super-telephoto lenses, with moisture and dust resistant rubber lens mount seal for use with the 1V and 1D models. It has the common Canon super-telephoto slot-type 52mm filter holder near the lens mount and buttons around the front end of the lens that can be programmed for various applications.

I was curious to see if the diffraction element was in any way visible, and indeed it is, but not directly. If you hold the front element up to the light and rock it back and forth you can see a ringed diffraction pattern. Also, this diffraction pattern is noticeable in the viewfinder as a slight coarsening of the ground glass — likely as a result of interference with the fresnel rings on the focusing screen. Nothing bothersome, but there. Of course it is not in any way visible in the final image.

Like the 300mm f/2.8L IS, the 400mm f/4 DO IS comes in a fitted hard plastic case that looks like a ladies cosmetic case, and which has Canon insignia blazoned upon it. What are they thinking of? All this case is good for is storage. No photographer would consider traveling or working on location with one of these. It might as well have "Steal me! I'm an expensive lens," written all over it.

In the Field

Enough theory and back yard testing, what's the performance really like and how does it handle in the field? Three days at Bosque del Apache told the tale. Incidentally, while shooting there I was alongside a number of serious wildlife photographers equipped with Canon 400mm f/2.8 IS lenses. I felt like I was using a toy by size comparison, yet their monster lenses were only a stop faster, and no longer.


Birds of  a Feather — Bosque del Apache

Canon D30 @ ISO 100 using a 400mm f/4 IS DO lens. 1/250 sec @ f/5.6. EFL= 640mm

How did it perform? In a word, superbly. I can't fault this lens in any way. To have a an ultra-high quality large aperture 400mm lens in a size smaller than that of a super-300mm is a pleasure when working in the field. While I used the lens tripod mounted, using a Wimberley Sidekick gimbal mount 95% of the time, when I did hand-hold it the savings in weight were really appreciated. Having to fly to the location also made the smaller length and bulk welcome when laying out my backpack. 


Formation — Bosque del Apache

Canon D30 @ ISO 100 using a 400mm f/4 IS DO lens. 1/800 sec @ f/5.6. EFL= 640mm

I spent a good 15 minutes one morning hand-holding the lens on a series of grab shots of cranes in flight. The image above is slightly soft because the D30's dreadful autofocus was turned off, and my manual focusing wasn't perfect. Still, I doubt that I could have hand-held a larger 400mm lens for this long.


Wading 7 — Bo
sque del Apache

Canon D30 @ ISO 100 using a 400mm f/4 IS DO lens. 1/250 sec @ f/5.6. EFL= 640mm

The "bokeh", or characteristics of the out-of-focus portion of an image, is considered by many (me included) to be of great importance in defining the "signature" or characteristics of a lens. In the frame above, where I was focused on the foreground vegetation and the line of cranes was allowed to go soft, they have a very lovely soft-edged quality. Good bokeh, as the Japanese would call it. 

Canon D30 @ ISO 400 using a 400mm f/4 IS DO lens with 1.4X extender. 1/250 sec @ f/5.6. EFL= 900mm

Canon D30 @ ISO 400 using a 400mm f/4 IS DO lens with 1.4X extender. 1/100 sec @ f/5.6. EFL= 900mm

These two frames were shot while rapidly panning the lens on a Wimberley gimbal mount. The birds were at a great distance and flying very quickly — coming in for a landing. As noted, these were shot at an effective focal length of 900mm because I was shooting with a 1.4X Extender as well to the D30's 1.6 multiplication factor. A long lens any way you figure it.

The birds are incredibly sharp, and no, the image is not over-sharpened. The reason that it might look that way is that these were taken just before sunset, with the sun directly backlighting the birds — this creating the edge effect.

Frankly, I'm blown away at how well the 400mm and the Canon 1.4X did together.

Flare — What Flare?

I was approached at one point in Bosque by a photographer who said that he'd heard that this lens concept was susceptible to flare. Later than day I found myself shooting almost directly into the setting sun (the two frames immediately above are part of that sequence) and didn't see any unusual flare characteristics. On the other hand, I wasn't testing for it. I no longer have the lens available to me so I can't test this further. Not an issue as far as I can see.

Who's It For?

This is for me the toughest question of all. This first DO lens is without a doubt a technological tour-de-force. Undoubtedly it is expensive because it's the first of its type. If this technology proves out, we will no doubt see it applied to a broader range of super-long lenses, and we'll consequently see prices fall over time.

But for now anyone contemplating the purchase of this lens really has to have a very strong need for light weight and compactness over either low price, a faster aperture or a longer focal length. Like I said, "You pay your money and you take your chances." But after this review, hopefully a bit less of a chance.

If you get a 400mm DO IS, let me know how you like it and send me some sample images. 

December 21, 2001

A few days ago Canon Germany posted a PDF file of their "Profile" newsletter. One of the sections featured the 400mm f/4 DO IS lens. But, at the bottom of the article was a mention that there were two more DO IS lenses coming — a 500mm f/2.8 DO IS and a 200-400mm f/4 DO IS zoom. 

This announcement quickly caused a flurry of excitement on online forums, but within less than a day the article had been revised to remove any mention of these two lenses. Clearly a mistake had been made. It either was an ad agency copywriter inventing some new products, or much more likely an inadvertent slip.

As I said above, no doubt there are more DO lenses coming. These particular two would be doozies.  

There is a web page online that shows the original text as published as well as the revised version. Time will tell.

February, 2002

"Amateur Photographer" Test Report

In the January 12, 2002 issue of the British magazine Amateur Photographer there is a test report on the 400mm DO lens. I found this to be of particular interest because the magazine's optical bench test results jibe very well with my own field experience.

They report that the lens is capable of 120 lp/mm at high contrast and over 90 lp/mm at low contrast. This ranks the lens among the finest ever tested. In every other measurable parameter the 400mm DO test scores are exemplary, with vignetting at less than 1/4 stop wide open and essentially gone by f/5.6. Resolution at center and edges was found to essentially the same from wide-open to f/16. Really excellent results.

Now if only Canon would lower the price.

This field review is featured in an extensive video segment in
 
Issue #3 of The Luminous Landscape Video Journal

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Concepts: Focal length, Telephoto lens, Photographic lens, Aperture, Optics, Magnification, Angle of view, Lens

Entities: the diffraction grating, North America, U.S., Canada, Germany, Bosque Del Apache, USM, PDF file, mount seal, sec, Michael Reichmann, New Mexico, Internet

Tags: images, focal length, diffractive optical element, Canon D30, bosque del apache, zoom, particular lens, long lens, larger 400mm lens, aperture 400mm lens, lens mount, chromatic aberration, exciting new lens, effective focal length, revolutionary lens, longer focal length, lens resolution charts, new long lens, high-speed telephoto lens, lens groups, lens mount seal, conventional lens, sharp lens, extensive video segment, expensive lens, lens barrel, series lens, lens maker, lens tripod, review, super-telephoto lenses, performance, results, diffraction grating, actual pixel, static tests, wildlife shoot, Super Telephoto lenses, gimbal mount, test subject