Gaussian Blur Overlays
Photographed with a Canon EOS D30 and 100~400mm
f/5.6L lens @ 400mm
1/500 sec @ f/8 — ISO 400
This photograph was taken on a February 2001 trip to the rainforest of Costa Rica. It was shot from a small boat on the Rio Aquinas. While I quite like it, after a couple of weeks of living with the print I decided that while it was a very good literal interpretation of what I saw, it didn't capture the "feeling" of the hazy heat and humidity of this tropical locale.
I believe that this interpretation does a much better job. Sharp yet soft at the same time. Shadow areas have darkened and become sharper while highlight areas have lightened and become softer. Remarkable, isn't it? (You may view enlarged versions of each photograph by clicking on them).
Not all images lend themselves to this treatment, but for those that do you can create a print that is quite special and yet at the same time doesn't have an overly "painterly" look — it's still photographic.
Here then is the recipe for how to create this type of image. But, like all recipes season to taste. This technique, like many in PhotoShop, requires a lot of experimenting. A hint rather than experimenting with a 20-50 Mb file try reducing the resolution to around 72 dpi. This makes for much faster tests, and when you have an idea of what you want to do then work with your full resolution image. (72 dpi is the maximum resolution needed for a high-res computer screen. Redo the image again at its full resolution for printing purposes once you have the effect that you want.)
Load the picture that you will be working with and open the Layer Palette so that you can work with layers.
Right click on the original layer and select Duplicate Layer.
Lighten the layer quite a bit, preferable using a Levels Adjustment Layer. This will allow you to season the final result to your taste.
Select the newly created Background Layer and then Filter/Blur/Gaussian Blur. The blur amount to apply is a matter of taste. Try 25 pixels as a place to start.
Make sure that Opacity is set to 100% and then select Multiply from the slider box next to it.
If you've used an Adjustment Layer you can now double click on it and adjust the balance between the layers.
Another example of this technique is Muskoka Heron seen above. The straight photograph was good, but it didn't convey the feeling of early morning light in the northern woods which I remembered so strongly. The use of the Gaussian Blur Overlay technique allowed me to create a print which better conveys my emotions.
What I like best about this technique is that its effect is subtle. The viewer may sense that the image has somehow been altered, but it isn't obvious and it doesn't alter the content of the image in any way.
If you are interested in reading other articles on digital imaging have a look at Digital Manipulations, A Digital Printing Class, Instant Photoshop, Blended Exposures, Contrast Masking and An Introduction to Digital Imaging. If you'd like to read about my current digital image processing gear, look at Digital Processing.