ColorLife

October 17, 2013 ·

Alain Briot

Alain Briot is one of the most successful landscape photographers working in the American Southwest today. His work is widely exhibited and collected. His new monthly column for this web site, of which this is part, is calledBriot's View. An extensive interview with Alain is included in Issue #1 ofThe Luminous Landscape Video Journal.

This article and accompanying photographs are Copyright 2001 by Alain Briot

Specifications

- Available in 8.5x11 and 13x19 size- 10 mil thickness- Wider color range with Epson inks- Recommended for Epson 780, 785EPX, 870, 875DC, 875DCS, 890, 1270, 1280- For use with dye-based inks only, not compatible with pigment inks- Epson rates the light fastness of ColorLife paper as "high". Matte Paper Heavyweight is also given a rating of "high" while Premium Glossy Photo Paper and Photo Paper are given a rating of "Low". Epson does not give specifics as to how many years "high" and "low" represent. So far I have not seen independent light fastness t...

Alain Briot creates fine art photographs, teaches workshops and offers DVD tutorials on composition, raw conversion, optimization, printing and marketing. Alain is the author of Mastering Landscape Photography, Mastering Photographic Composition and Marketing Fine Art Photography. All 3 books are available from Alain’s website as well as from most bookstores. You can find more information about Alain's work, writings and tutorials as well as subscribe to Alain’s Free Monthly Newsletter on his website. You will receive over 40 essays in PDF format, including chapters from Alain’s books, when you subscribe.

You May Also Enjoy...

PMA 2006 Summary

January 13, 2009 ·

Michael Reichmann

Trade shows are always a good opportunity to gauge the state of health of any industry. Walking the aisles and talking with both exhibitors as


Abstraction
 Part 4 – Suspending Disbelief

March 5, 2017 ·

Alain Briot

All painting, no matter what you are painting, is abstract in that it’s got to be organized. David Hockney 1 - Introduction I originally intended